Mirrorless

Coot at the local ponds - OMD EM-1 with 40-150 f2.8 Pro

Coot at the local ponds – OMD EM-1 with 40-150 f2.8 Pro

Don’t get me wrong – I love my full-frame Canon SLR, and for many applications, nothing can touch the quality. But…

The fact is that a big SLR weighs a lot, and the lenses even more. Lugging this lot around is often very impractical, particularly for somebody like me who has problems with my lungs. On good days, and over short distances, the big kit is fine, but on bad days or longer distances, there is a real need for a lightweight kit that can do a very good job.

I first encountered Olympus Micro Four Thirds (MFT) cameras on a photography workshop, when I was exceedingly impressed by the technical quality of the photos from a camera that a student brought with her. I’d tried the Canon mirrorless system, but found it a bit slow, and I have a smaller cropped-frame SLR which I loan out to students who are doing my photo workshops. It is nice, but still a bit large, and the problem remains that if you want good quality glass, it is still heavy.

So I recently decided to try Olympus MFT as a secondary system, attracted by the ability to use not just Olympus, but also Lumix and Leica lenses. Something that will get good results when I’m carrying it around, and which I can keep in my handbag for those opportunities that come along when you haven’t got the full kit. It can also replace the heavy kit on long walks and when my breathing is having a bad spell.

Having traded in some lenses I rarely use, I first bought an Olympus OMD EM-10 Mark ii. I was expecting to be very impressed, but I was disappointed in the image quality. A few test shots later, and it turned out that it was likely the package had been damaged in transit, as both the lenses included were badly out of alignment. Fortunately the dealer (Wex photographic) replaced the kit without question, and the second set of lenses were much, much better. The retro-styled camera body is a thing of beauty, particularly to somebody who grew up using a traditional manual film SLR – it has dials where you would expect them for aperture and shutter speed, and exposure compensation. However it also has useful features such as 5-axis image stabilisation, and touch screen point focusing. And it is very, very good for most things except wildlife and sports – the autofocus is good, but not good enough, taking too long to acquire the target when it is moving. As a handbag camera, though, it is streets ahead of anything I’ve had before. The lenses that came with the camera are pretty good too, although because I like backlit imagery, I found purple-fringing to be troublesome. They (Lumix 14-45 and Olympus 40-150 which on a half-frame camera have a combined equivalent of 28-300 in 35mm focal length) do however, perform admirably.

I have also recently acquired a secondhand OMD EM-1 body and some Pro lenses. Now this is a very good camera indeed. The autofocus is excellent and fast and good. The ability to easily switch the dials to control one or other function of the camera is also excellent – you can customise which dials do what. The 5-axis image stabilisation works very well indeed. The pro lenses (Olympus Pro 12-42 and 40-150 – both f2.8) are excellent bits of glass, and there is no purple fringing and admirable sharpness right out to the edge of the frame. They are both solid and weather-sealed, and have a lovely clutch mechanism to engage and disengage the autofocus for fine tuning. There is in particular something about black and white images from this combination that looks stunning. I am also impressed at the lack of noise at low ISO, given the small size of the sensor – better than a larger APS-C sensor camera that I own!

I had not intended to use the EM-1 camera for birds or wildlife, but I recently gave it a trial, and it exceeded expectations, giving sharp and crisp results, and catching the birds most of the time. A 60mm macro lens was also acquired secondhand at a good price (shabby outside, good inside), and again, I was really impressed with the results – sharp, good bokeh, and tiny compared to Canon’s offering. The 40-150 should also be a good dragonfly lens, as it focuses down to 70cm, and a teleconverter can be added to catch the dragonflies as they perch over the water.

The fact is that when I’m taking a walk around places now I usually take the Olympus. It has a permanent place in my handbag. It will not replace the big Canon. The tiny body, with the sensor close to the lens means even at f2.8, you don’t get the separation from the background that you can get with a bigger camera, particularly in Macro work. My big Canon bird lens (100-400 Mark II) is better for wildlife – no getting away from it. The autofocus is better on the Canon – faster, and more controllable. And there is something of the feel of a full-frame shot that really can’t be beaten.

However, the best camera is the one you have with you. If you don’t or can’t carry it, then you can’t take the photos. The mirrorless Olympus is impressive, and it is likely to be “the camera I have with me” quite a lot of the time.

Along the Canal - OMD EM-10 with Lumix 14-45.

Along the Canal – OMD EM-10 with Lumix 14-45.

Macro shot of Moss with OMD EM-10 and 60mm Macro lens

Macro shot of Moss with OMD EM-10 and 60mm Macro lens

Blue Tit on feeder - OMD EM-1 with 40-150 f2.8 Pro

Blue Tit on feeder – OMD EM-1 with 40-150 f2.8 Pro

Willow Herb Seed Head - OMD EM-1 with 60mm Macro

Willow Herb Seed Head – OMD EM-1 with 60mm Macro

Local pond on misty day - OMD EM-1 with 12-40 f2.8 Pro

Local pond on misty day – OMD EM-1 with 12-40 f2.8 Pro

Ray of Light on local ponds - OMD EM-1 with 12-40 f2.8 Pro

Ray of Light on local ponds – OMD EM-1 with 12-40 f2.8 Pro

The official and unofficial paths - OMD EM-1 with 12-40 f2.8 Pro

The official and unofficial paths – OMD EM-1 with 12-40 f2.8 Pro

Bright green grass in the evening sunlight - OMD EM-10 with Lumix 14.45.

Bright green grass in the evening sunlight – OMD EM-10 with Lumix 14.45.

Winter Woods

Winter tree canopy

Winter tree canopy

Winter has a reputation for being long, dark and wet, but to my mind it is one of the most photogenic times of year. In winter you can see every detail of the tree canopy. The fractal beauty is outstanding, and completely obscured during the summer.

Then there is the winter light. It has a lovely watery quality, a cool beauty. It comes in from a low angle all through the day. Like a perpetual sunrise or sunset, it illuminates the tree trunks and branches with a stark contrast to bring out the true structure of the tree, branches, bark and twigs.

Even in the rain, and in dull weather, there is beauty in the hazy wetness of the woods, a lovely softness that you get at no other time of year.

The woods in winter have a true grandeur that is hidden in summer. They are definitely worth a visit.

Our woods on a damp winter day

Our woods on a damp winter day

The plantation in winter

The plantation in winter

Birch woodland path in winter

Birch woodland path in winter

Birch Wood Path

Birch Wood Path

Canal trees in winter

Canal trees in winter

Along the canal in winter

Along the canal in winter